Showing posts with label Art Collectors. Show all posts
Showing posts with label Art Collectors. Show all posts

Monday, May 16, 2011

MEDIA NEWS: Detroit Institute of Arts Names African American Gallery for Roy and Maureen Roberts


Contemporary African American art gallery named 
in honor of gift to museum

May 4, 2011 (Detroit)�The Detroit Institute of Arts (DIA) has named a gallery of contemporary African American art after Maureen and Roy S. Roberts. Roy Roberts is a retired General Motors (GM) group vice president, and he and Maureen Roberts are well-known philanthropists in the areas of the arts, culture and education.

�We are delighted to name a gallery after Maureen and Roy, whose generous gift will help us continue to provide our community with imaginative, high-quality programs and exhibitions,� said Graham W. J. Beal, DIA director. �Their support affirms the role art plays in enhancing the quality of life and the named gallery is a wonderful legacy for their family.�

The DIA is the only encyclopedic fine arts museum in the world with a curatorial department devoted to African American art. The Maureen & Roy S. Roberts gallery is one in a suite that chronicles the development of modern and contemporary African American art, and features works by such prominent artists as Benny Andrews, Elizabeth Catlett, Sam Gilliam, Alvin Loving, William T. Williams, Joyce Scott, Richard Hunt and Charles McGee, among others.

The curatorial department, named the General Motors Center for African American art, was established in 2000 and Valerie Mercer, formerly senior curator at the Studio Museum in Harlem, was hired as its curator in 2001. The museum also features works by 19th-century African American artists in the American art wing, as well as African American works interspersed throughout the contemporary art galleries.

�Maureen and I have always loved the arts and realize the cultural importance of museums like the DIA, both to our community and for future generations,� said Roy Roberts. �We leave this legacy with our children, to whom we�ve instilled the values of education, working hard and giving back. We are happy to celebrate this milestone with them.�

The Roberts� philanthropy extends to other cultural and educational organizations as well. They were major contributors to the Charles H. Wright Museum of African American History when that museum was fighting for its survival, and have given generously over the years to the United Negro College Fund, NAACP, Urban League and Western Michigan University (WMU), among many others.


For more than 20 years, Ms. Roberts� career focused on nursing and health care. She studied at the former Mercy Central School of Nursing in Grand Rapids, Michigan and became a registered nurse. She subsequently earned a Bachelor of Arts in Education from Aquinas College in Grand Rapids, Michigan and a Master of Arts in Health Education and Occupational Education from University of Michigan. She was supervisor of Health Education and Health Services for the Grand Rapids Public School District, and was a coordinator in the Corneal Transplant Program for the Michigan Eye Bank.

Ms. Roberts served on the boards of St. Joseph Mercy Hospital and Visiting Nurses Association and was active on the DIA�s Volunteer Information Committee for several years. She was a co-chair for the museum�s annual gala fundraiser, Under the Stars.

Mr. Roberts is currently managing director and co-founding member of the successful private equity investment firm Reliant Equity Investors. However, for more than three decades, he was a trailblazer, leader and mentor of unrivaled distinction in the global automotive industry.

Mr. Roberts began his General Motors career in 1977 as a salaried employee-in-training at GM�s former Diesel Equipment Division in Grand Rapids, Michigan. After moving through various positions of increasing responsibility, in 1981 he became plant manager of GM�s Grand Rapids Plant #1. In 1983, he became the first African American plant manager of GM�s assembly facility in North Tarrytown, New York, a major milestone for GM, Roberts and African Americans. At Tarrytown, Mr. Roberts forged lasting mentoring and subordinate career-development techniques that were of particular help to people of color.

Mr. Roberts also �blazed the trail� for African Americans at GM by becoming the first African American vice president and corporate officer in charge of Personnel Administration and Development; general manager of Field Sales, Service and Parts; and group vice president, North American Vehicle Sales, Service and Marketing (NAVSSM).

Mr. Roberts left GM to become vice president for Truck Operations and chief operating officer at Navistar International Corporation, but was recruited back to GM as manufacturing manager for the Cadillac Motor Car Division. After two years, he was promoted to manufacturing manager for GM�s former Flint Automotive Division, and held that position until becoming vice president of the GMC Truck Division. At GMC, Roberts undertook the planning and oversight of the merger of GM�s Pontiac Division with the GMC-Truck Division, an arrangement that generated huge profits and great savings for General Motors and its dealers.

Mr. Roberts remained in the critically important position of group vice president of NAVSSM until he retired in 2000�after more than 23 years at GM, and nearly 40 years in the automotive industry. When asked to reflect on his groundbreaking career, Mr. Roberts noted in the Wall-Street Journal �� I�ve never had a job that I disliked. I�ve never had a job I did not grow from. It�s been a good journey.�

Among the numerous awards and recognition during his stellar career are: the American Success Award, presented by President George W. Bush in the Rose Garden at the White House; the Detroit Chapter of the American Jewish Communities �Human Relations Community Service Award�; named �Executive of the Year� by Black Enterprise magazine; named �Automotive Executive of the Year� byAfrican Americans on Wheels magazine; inducted into the Automotive Hall of Fame; and honored as a �Distinguished Warrior� by the Urban League of Detroit and Southeastern Michigan.

Mr. Roberts received a bachelor�s degree in Business Administration from Western Michigan University in Kalamazoo, Michigan and completed graduate work at WMU and Detroit�s Wayne State University. He completed the Executive Development Program at Harvard Graduate School of Business, and the General Motors Advanced International General Management Program in Switzerland. He has also been awarded a number of honorary doctorate degrees.

Mr. Roberts is trustee emeritus at WMU and was recently a board member of Burlington Northern Santa Fe Corporation, Abbott Laboratories, and Enova Systems Corporation. He recently served as president of the national board of the Boy Scouts of America and as chairman of a National Scout Jamboree. Roberts has been a board member of the Morehouse School of Medicine, president of the Grand Rapids NAACP, and on the national boards of the United Negro College Fund, The Aspen Institute and the National Urban League, where he chaired national conventions in San Diego and Atlanta.


The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932�33), the DIA's collection is known for its quality, range, and depth. The DIA�s mission is to create opportunities for all visitors to find personal meaning in art.
Programs are made possible with support from the City of Detroit.
Contact: Pamela Marcil 313-833-7899 pmarcil@dia.org

Friday, May 6, 2011

EVENT: The Gift Project Chicago / Center for the Study of Race, Politics and Culture / Chicago, IL / May 7, 2011




Links:



EXHIBIT: "Converging Voices, Transforming Dialogue: Selections from the Elliot and Kimberly Perry Collection" / Texas Southern University / Houston, TX / May 6 - August 21, 2011

Note: New image and links added to this blog on 05/24/11.

The Elliot and Kimberly Perry Collection of African American Art is one of the most prestigious and important contemporary art collections in the US. The former NBA player and his wife started collecting art in 1996 and have amassed an amazing mix of works by top-shelf modern and contemporary masters. The Houston showing of this collection will be the featured exhibition at the University Museum at Texas Southern University during the 2011 American Association of Museums Annual Meeting and Museum Expo.
Elliot and Kimberly Perry with Texas Southern University Professor of Law, Docia Rudley

Sunday, February 6, 2011

POST: Vivian Hewitt / Pittsburgh Post-Gazette / January 18, 2011

African-American art collector Vivian Hewitt recalls how works were found
Tuesday, January 18, 2011
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Vivian Davidson Hewitt
Vivian Hewitt turns 91 on Feb. 17, but she seemed unfazed last week about leaving her Upper West Side apartment in snow-buried New York City to travel here this week to talk about her lifelong passion.

Mrs. Hewitt, a New Castle native who was the first black librarian in Pittsburgh, went on to make a mark in the world of African-American art with her late husband, John.

Through their travels, family connections and friends in New York, they amassed one of the most renowned collections of African-American art, which today serves as the cornerstone of the Harvey B. Gantt Center for African-American Arts+Culture in Charlotte, N.C.

But she's coming here to talk about the 40 pieces of original Haitian and other African-American art they donated over the years to Geneva College, her alma mater.

Formerly scattered across the Beaver Falls campus in McCartney Library, Alexander Hall, and various faculty and staff offices, the pieces will be on display together in the upper level of the Student Center in Skye Lounge.

The art collection happened by chance, she said last week. She met her husband when she was a librarian and instructor at Atlanta University (now Clark Atlanta University), and he was an English teacher at nearby Morehouse College. They married in 1949, and looking for ways to decorate their faculty suite, they picked up a print at a New York City museum during their honeymoon there.

They soon started purchasing original Haitian art, traveling to the Caribbean country from 1960 to 1965, as well as works by black and folk artists in Mexico and other places. Although both drew modest salaries, they made a point in giving each other original art on every gift-giving occasion.

When they moved to New York City in 1952, they visited galleries and shows and were introduced in the waning days of the Harlem renaissance to the Market Place Gallery, which was operated by Mr. Hewitt's sister, Adele Glasgow. There they became friends with black artists and began collecting work that hadn't yet hit the mainstream.

"We started investing in our own heritage and culture," said Mrs. Hewitt. "Their work was affordable then," she said of the black artists.

Among the pieces in their collection at the North Carolina center are works by Romare Bearden, Henry Ossawa Tanner, Elizabeth Catlett, Jonathan Green, Jacob Lawrence, Ann Tanksley, Hale Woodruff and Margaret Burroughs.

Mrs. Hewitt says an article in The New York Times in the early 1970s put a spotlight on the emerging prominence of African-American art, which was beginning to be purchased by white collectors.

"In essence it said that African-American art was here to stay, and [collectors] better get on the bandwagon," she said last week. "It was a turning point for people recognizing the importance of African-American artists. Because of racism and the tenor of the times, this is what happened to exist."

In 1998, Bank of America acquired the John and Vivian Hewitt Collection of African-American Art. The exhibit toured the United States for 10 years during construction of the $18 million Gantt center in North Carolina that became its permanent home in 2009. Mrs. Hewitt, in her late 70s and 80s by this time, visited the 25 to 30 cities on the tour. Her husband died in 2000.

Earlier in her life, of course, Mrs. Hewitt was a pioneer in Pittsburgh. She earned a bachelor's degree from Geneva in 1943 and a master's in library science from the Carnegie Tech Library School (later folded into the University of Pittsburgh). She was the first black librarian hired by Carnegie Library and worked at the Hill District and Homewood branches before moving to Atlanta.

She's particularly proud of the couple's contributions in bringing awareness to black artists.
Today, she said "there are fine African-American artists in every region of the United States."

This post has been edited. Read article in its entirety at:
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